Nonfiction > Harvard Classics > Benvenuto Cellini > Autobiography
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Benvenuto Cellini (1500–1571).  Autobiography.
The Harvard Classics.  1909–14.
 
I
 
 
I REMAINED for some time in the Cardinal of Ferrara’s palace, very well regarded in general by everybody, and much more visited even than I had previously been. Everybody was astonished that I should have come out of prison and have been able to live through such indescribable afflictions; 1 and while I was recovering my breath and endeavouring to resume the habit of my art, I had great pleasure in re-writing the Capitolo. Afterwards, with a view to re-establishing my strength, I determined to take a journey of a few days for change of air. My good friend the Cardinal gave me permission and lent me horses; and I had two young Romans for my companions, one of them a craftsman in my trade, the other only a comrade in our journey. We left Rome, and took the road to Tagliacozzo, intending to visit my pupil Ascanio, who lived there. On our arrival, I found the lad, together with his father, brothers, sisters, and stepmother. I was entertained by them two days with indescribable kindness; then I turned my face towards Rome, taking Ascanio with me. On the road we fell to conversing about our art, which made me die of impatience to get back and recommence my labours.  1
  Having reached Rome, I got myself at once in readiness to work, and was fortunate enough to find again a silver basin which I had begun for the Cardinal before I was imprisoned. Together with this basin I had begun a very beautiful little jug; but this had been stolen, with a great quantity of other valuable articles. I set Pagolo, whom I have previously mentioned, to work upon the basin. At the same time I recommenced the jug, which was designed with round figures and bas-reliefs. The basin was executed in a similar style, with round figures and fishes in bas-relief. The whole had such richness and good keeping, that every one who beheld it expressed astonishment at the force of the design and beauty of invention, and also at the delicacy 2 with which these young men worked.  2
  The Cardinal came at least twice a day to see me, bringing with him Messer Luigi Alamanni and Messer Gabriel Cesano; 3 and here we used to pass an hour or two pleasantly together. Notwithstanding I had very much to do, he kept giving me fresh commissions. Among others, I had to make his pontifical seal of the size of the hand of a boy of twelve. On it I engraved in intaglio two little histories, the one of San Giovanni preaching in the wilderness, the other of Sant’ Ambrogio expelling the Arians 4 on horseback with a lash in his hand. The fire and correctness of design of this piece, and its nicety of workmanship, made every one say that I had surpassed the great Lautizio, who ranked alone in this branch of the profession. The Cardinal was so proud of it that he used to compare it complacently with the other seals of the Roman cardinals, which were nearly all from the hand of Lautizio.  3
 
Note 1. This assertion is well supported by contemporary letters of Caro and Alamanni. [back]
Note 2. Pulitezza. This indicates precision, neatness, cleanness of execution. [back]
Note 3. The name of Cesano is well known in the literary correspondence of those times. [back]
Note 4. It will be remembered that the Cardinal was Archbishop of Milan. [back]
 

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