Benvenuto Cellini (15001571). Autobiography. The Harvard Classics. 190914.
TOBBIA the goldsmith meanwhile worked at the setting and the decoration of the unicorns horn. The Pope, moreover, commissioned him to begin the chalice upon the model he had seen in mine. But when Tobbia came to show him what he had done, he was very discontented, and greatly regretted that he had broken with me, blaming all the other mans works and the people who had introduced them to him; and several times Baccino della Croce came from him to tell me that I must not neglect the reliquary. I answered that I begged his Holiness to let me breathe a little after the great illness I had suffered, and from which I was not as yet wholly free, adding that I would make it clear to him that all the hours in which I could work should be spent in his service. I had indeed begun to make his portrait, and was executing a medal in secret. I fashioned the steel dies for stamping this medal in my own house; while I kept a partner in my workshop, who had been my prentice and was called Felice.
At that time, as is the wont of young men, I had fallen in love with a Sicilian girl, who was exceedingly beautiful. On it becoming clear that she returned my affection, her mother perceived how the matter stood, and grew suspicious of what might happen. The truth is that I had arranged to elope with the girl for a year to Florence, unknown to her mother; but she, getting wind of this, left Rome secretly one night, and went off in the direction of Naples. She gave out that she was gone by Cività Vecchia, but she really went by Ostia. I followed them to Cività Vecchia, and did a multitude of mad things to discover her. It would be too long to narrate them all in detail; enough that I was on the point of losing my wits or dying. After two months she wrote to me that she was in Sicily, extremely unhappy. I meanwhile was indulging myself in all the pleasures man can think of, and had engaged in another love affair, merely to drown the memory of my real passion.