| |
| NO, not to-night, dear child; I cannot go; | |
| Im busy, tired; they knew I should not come; | |
| you do not need me there. Dear, be content, | |
| and take your pleasure; you shall tell me of it. | |
| There, go to don your miracles of gauze, | 5 |
| and come and show yourself a great pink cloud. | |
| |
| So, she has gone with half a discontent; | |
| but it will die before her curls are shaped, | |
| and shell go forth intent on being pleased, | |
| and take her ponderous pastime like the rest | 10 |
| patient delightedly, prepared to talk | |
| in the right voice for the right length of time | |
| on any thing that anybody names, | |
| prepared to listen with the proper calm | |
| to any song that anybody sings; | 15 |
| wedged in their chairs, all soberness and smiles, | |
| one steady sunshine like an August day: | |
| a band of very placid revellers, | |
| glad to be there but gladder still to go. | |
| She like the rest: it seems so strange to me, | 20 |
| my simple peasant girl, my natures grace, | |
| one with the others; my wood violet | |
| stuck in a formal rose box at a show. | |
| |
| Well, since it makes her happier. True I thought | |
| the artless girl, come from her cottage home | 25 |
| knowing no world beyond her village streets, | |
| come stranger into our elaborate life | |
| with such a blithe and wondering ignorance | |
| as a young childs who sees new things all day, | |
| would learn it my way and would turn to me | 30 |
| out of the solemn follies What are these? | |
| why must we live by drill and laugh by drill; | |
| may we not be ourselves then, you and I? | |
| I thought she would have nestled here by me | |
| I cannot feign, and let me stay with you. | 35 |
| I thought she would have shed about my life | |
| the unalloyed sweet freshness of the fields | |
| pure from your cloying fashionable musks: | |
| but she will do what other ladies do | |
| my sunburnt Madge I saw, with skirts pinned up, | 40 |
| carrying her fathers dinner where he sat | |
| to take his noon-day rest beneath the hedge, | |
| and followed slowly for her clear loud song. | |
| |
| And she did then, she says, as others did | |
| who were her like. Tis logical enough: | 45 |
| as every woman lives, (tush! as we all, | |
| following such granted patterns for our souls | |
| as for our hats and coats), she lived by rules | |
| how to be as her neighbours, though I, trained | |
| to my own different code, discerned it not | 50 |
| (mistaking other laws for lawlessness, | |
| like raw and hasty travellers): and now | |
| why should she, in a new world, all unapt | |
| to judge its judgments, take so much on her | |
| she did not in her old world, pick and choose | 55 |
| her pleasures and her tastes, her aims, her faiths, | |
| breaking her smooth path with the thorny points | |
| of upstart questions? She is just a bird | |
| born in a wicker cage and brought away | |
| into a gilded one: she does not pine | 60 |
| to make her nest in uncontrolled far woods, | |
| but, unconceiving freedom, chirrups on, | |
| content to see her prison bars so bright. | |
| |
| Yes, best for her; and, if not best for me, | |
| Ive my fault in it too: shes logical, | 65 |
| but what am I, who, having chosen her | |
| for being all unlike the tutored type, | |
| next try and mould her to itchose indeed | |
| my violet for being not a rose, | |
| then bade it hold itself as roses do, | 70 |
| that passers by may note no difference? | |
| The peasant ways must go, the homely burr, | |
| the quaint strong Englishancient classic turns | |
| mixed up with rustic blunders and misuse, | |
| old grammar shot with daring grammarlessness; | 75 |
| the village belles quick pertness, toss of head, | |
| and shriek of saucy laughtergraces there, | |
| and which a certain reckless gracefulness, | |
| half hoydenish, half fawnlike, made in her | |
| graces in even my eyes
there; the ease | 80 |
| of quick companionship; the unsoftened nos; | |
| the ready quarrels, ready makings up; | |
| all these must go, I would not have her mocked | |
| among the other women who have learned | |
| sweet level speech and quiet courtesies | 85 |
| and then they jarred upon me like the noise | |
| of music out of rule, which, heard at first, | |
| took the fresh ear with novel melody, | |
| but makes you restless, listened to too long, | |
| with missing looked for rhythms. So I teach, | 90 |
| or let her learn, the way to speak, to look, | |
| to walk, to sit, to dance, to sing, to laugh, | |
| and then
the prized dissimilarity | |
| was outer husk and not essential core: | |
| my wife is just the wife my any friend | 95 |
| selects among my any friends good girls, | |
| (a duplicate except that here and there | |
| the renderings faulty or touched in too strong); | |
| my little rugged bit of gold I mined, | |
| cleared from its quartz and dross and pieced for use | 100 |
| with recognized alloy, is minted down | |
| one of a million stamped and current coins. | |
| |
| My poor dear Madge, it half seems treasonous | |
| to let regret touch any thought of you, | |
| loyal and loving to me as you are; | 105 |
| and you are very very dear to me, | |
| I could not spare you, would not change your love | |
| to have the rich ideal of my hope | |
| in any other woman; as you are | |
| I love you, being you. And for the rest, | 110 |
| if I, my theorys too eager fool, | |
| mistook the freedom of blunt ignorance | |
| for one with freedom of the instructed will, | |
| and took yours for a nature made to keep | |
| its hardiness in culture, gaining strength | 115 |
| to be itself more fully; if I looked | |
| for some rare perfectness of natural gifts, | |
| developing not changed, pruned and not dwarfed | |
| if I believed you would be that to me | |
| so many men have sung by womens names | 120 |
| and known no woman for, where is your fault, | |
| who did but give yourself as you were then, | |
| and with so true a giving? Violet, | |
| whose is the blame if, rooted from your place, | |
| where you grew truly to your natural law, | 125 |
| set by my hand in artificial soil, | |
| bound to unwonted props, whose blame if you | |
| are not quite violet and not quite rose? | |
| |
| Shes happy though, I think: she does not bear | |
| the pain of my mistake, and shall not bear; | 130 |
| and shell not ever guess of a mistake. | |
| |
| Mistaketis a hard word. Well let it pass: | |
| it shall not wrong her: for was it in her | |
| or in myself I was mistaken most? | |
| What, I, who have been bold to hurl revolt | 135 |
| at great Queen Bugaboo Society, | |
| did I not teach her suit and service first, | |
| wincing when she infringed some useless law? | |
| do I not wince to-day beside the fire | |
| at every word or gesture she shall use | 140 |
| not scheduled in the warrant what to do? | |
| do I not bid her have the table thus, | |
| assort such viands, use such furniture, | |
| wear such a stuff at morning, such at night, | |
| all to the warrant of Queen Bugaboo, | 145 |
| and feel a something missing when she fails, | |
| a discord setting all my teeth on edge? | |
| Why, what a score of small observances, | |
| mere fashionable tricks, are to my life | |
| the butter on the bread, without which salve | 150 |
| the bits too coarse to swallow; what a score | |
| of other small observances and tricks, | |
| worn out of fashion or not yet come in, | |
| reek worse than garlic to my pampered taste, | |
| making the wholesomest food too difficult! | 155 |
| And that which in an ancient yesterday | |
| was but some great mans humour is to me | |
| duty by rote to-day. I had not felt | |
| my own life that punctilious copy-book, | |
| writ to stock patterns set to all a school, | 160 |
| I have called usual lives, but my poor Madge | |
| has unawares informed me of myself. * * * * * Oh, I am tired! | |
| tired, tired, of this bland smiling slavery, | |
| monotonous waste of life. And, while we fools | |
| are making curtsies and brave compliments | 165 |
| to our rare century, and, courtierly, | |
| swaddling our strength in trammels of soft silk, | |
| the rotten depths grow rottener. Every day | |
| more crime, more pain, more horror. We are good | |
| no doubt, we better classesoh, we boast | 170 |
| our modern virtues in the dead mens teeth | |
| that were our fatherswe are earnest now, | |
| and charitable, and we wash ourselves, | |
| and have a very fair morality; | |
| most well brought up, in fine, of any men | 175 |
| that any age has nurtured, and besides | |
| so equal in our manners and our coats: | |
| and then the classes which, though bettering, | |
| are not quite better yet, are the most shrewd, | |
| most apt, most honest, most intelligent, | 180 |
| that ever the world saw yet. True all of it | |
| for aught I know, some of it as I think, | |
| but underneathgreat God, how many souls | |
| are born an hour as provender for hell! * * * * * | |
| Tired, tiredgrown sick of battle and defeat, | 185 |
| lying in harbour, like a man worn out | |
| by storms, and yet not patient of my rest: | |
| how if I went to some kind southern clime | |
| where, as they say, lost in long summer dreams, | |
| the mind grows careless with sun-drunkenness | 190 |
| and sleeps and wakens softly like a child? | |
| Would Madge be over sorry to come out | |
| into free loneliness with me a while? | |
| clear tints and sunshine, glowing seas and skies, | |
| beauty of mountains and of girdled plains, | 195 |
| the strangeness of new peoples, change and rest, | |
| would these atone to her for so much lost | |
| which she counts precious? For she loves that round | |
| of treadmill ceremonies, mimic tasks, | |
| we make our womens livesGood heavens what work | 200 |
| to set the creatures to, whom we declare | |
| God purposed for companions to us men
| |
| companions to each other only now, | |
| their business but to waste each others time. | |
| So much to do among us, and we spend | 205 |
| so many human souls on only this! | |
| in petty actress parts in the long game | |
| (grave foolery like children playing school, | |
| setting themselves hard tasks and punishments,) | |
| that lasts till death and is Society: | 210 |
| the sunlight working hours all chopped and chipped | |
| in stray ten minutes by some score of friends | |
| who, grieved their friends not out, come rustling in | |
| by ones and twos to say the weathers fine; | |
| or paid away, poor soul, on pilgrimage | 215 |
| reciprocally due to tell them so: | |
| each woman owing tax of half her life | |
| as plaything for the others careless hours, | |
| each woman setting down her foot to hold | |
| her sister tightly to the tethered round, | 220 |
| will she or nill she: all with rights on each | |
| greater than hers
and I might say than Gods, | |
| since He made work the natural food of minds, | |
| cheated of which they dwindle and go dead | |
| like palsied limbs, and gives to each that sense | 225 |
| of beasts, who know their food, to know its work, | |
choosing the great or little.
But myself, | |
| have I befooled the instinct by warped use? | |
| for is not the fruit rotten I have found | |
| in all my labours; nothing to the world | 230 |
| and to me bitterness? And I forget | |
| the strong joy of endeavour, and the fire | |
| of hope is burned out in me; all grows dull | |
| rest is not rest and I am sick of toil: | |
I count the cost, and
Ready, love, at last? | 235 |
| Why, what a rosy June! A flush of bloom | |
| sparkling with crystal dewsAh silly one, | |
| you love these muslin roses better far | |
| than those that wear the natural dew of heaven. | |
| I thought you prettier when, the other day, | 240 |
| the children crowned you with the meadow-sweets: | |
| I like to hear you teach them wild flowers names | |
and make them love them; but yourself
Whats that? | |
| The wild flowers in a rooms hot stifling glare | |
| would die in half a minute. True enough: | 245 |
| your muslin roses are the wiser wear. | |
| Well, I must see you start. Draw your hood close: | |
| and are you shawled against this east winds chills? | |
| |