Nonfiction > Walt Whitman > Prose Works > I. Specimen Days > 179. The Prairies
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Walt Whitman (1819–1892).  Prose Works. 1892.
  
I. Specimen Days
179. The Prairies
  
        
And an Undeliver’d Speech.
AT a large popular meeting at Topeka—the Kansas State Silver Wedding, fifteen or twenty thousand people—I had been erroneously bill’d to deliver a poem. As I seem’d to be made much of, and wanted to be good-natured, I hastily pencill’d out the following little speech. Unfortunately, (or fortunately,) I had such a good time and rest, and talk and dinner, with the U. boys, that I let the hours slip away and didn’t drive over to the meeting and speak my piece. But here it is just the same:
          “My friends, your bills announce me as giving a poem; but I have no poem—have composed none for this occasion. And I can honestly say I am now glad of it. Under these skies resplendent in September beauty—amid the peculiar landscape you are used to, but which is new to me—these interminable and stately prairies—in the freedom and vigor and sane enthusiasm of this perfect western air and autumn sunshine—it seems to me a poem would be almost an impertinence. But if you care to have a word from me, I should speak it about these very prairies; they impress me most, of all the objective shows I see or have seen on this, my first real visit to the West. As I have roll’d rapidly hither for more than a thousand miles, through fair Ohio, through bread-raising Indiana and Illinois—through ample Missouri, that contains and raises everything; as I have partially explor’d your charming city during the last two days, and, standing on Oread hill, by the university, have launch’d my view across broad expanses of living green, in every direction—I have again been most impress’d, I say, and shall remain for the rest of my life most impress’d, with that feature of the topography of your western central world—that vast Something, stretching out on its own unbounded scale, unconfined, which there is in these prairies, combining the real and ideal, and beautiful as dreams.
  “I wonder indeed if the people of this continental inland West know how much of first-class art they have in these prairies—how original and all your own—how much of the influences of a character for your future humanity, broad, patriotic, heroic and new? how entirely they tally on land the grandeur and superb monotony of the skies of heaven, and the ocean with its waters? how freeing, soothing, nourishing they are to the soul?
  “Then is it not subtly they who have given us our leading modern Americans, Lincoln and Grant?—vast-spread, average men—their foregrounds of character altogether practical and real, yet (to those who have eyes to see) with finest backgrounds of the ideal, towering high as any. And do we not see, in them, foreshadowings of the future races that shall fill these prairies?
  “Not but what the Yankee and Atlantic States, and every other part—Texas, and the States flanking the south-east and the Gulf of Mexico—the Pacific shore empire—the Territories and Lakes, and the Canada line (the day is not yet, but it will come, including Canada entire)—are equally and integrally and indissolubly this Nation, the sine qua non of the human, political and commercial New World. But this favor’d central area of (in round numbers) two thousand miles square seems fated to be the home both of what I would call America’s distinctive ideas and distinctive realities.”
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