Select Search
-----
All Bartleby.com
-----
All Reference
-----
Columbia Encyclopedia
World History Encyclopedia
Cultural Literacy
World Factbook
Columbia Gazetteer
American Heritage Coll.
Dictionary
Roget's Thesauri
Roget's II: Thesaurus
Roget's Int'l Thesaurus
Quotations
Bartlett's Quotations
Columbia Quotations
Simpson's Quotations
Respectfully Quoted
English Usage
Modern Usage
American English
Fowler's King's English
Strunk's Style
Mencken's Language
Cambridge History
The King James Bible
Oxford Shakespeare
Gray's Anatomy
Farmer's Cookbook
Post's Etiquette
Brewer's Phrase & Fable
Bulfinch's Mythology
Frazer's Golden Bough
-----
All Verse
-----
Anthologies
Dickinson, E.
Eliot, T.S.
Frost, R.
Hopkins, G.M.
Keats, J.
Lawrence, D.H.
Masters, E.L.
Sandburg, C.
Sassoon, S.
Whitman, W.
Wordsworth, W.
Yeats, W.B.
-----
All Nonfiction
-----
Harvard Classics
American Essays
Einstein's Relativity
Grant, U.S.
Roosevelt, T.
Wells's History
Presidential Inaugurals
-----
All Fiction
-----
Shelf of Fiction
Ghost Stories
Short Stories
Shaw, G.B.
Stein, G.
Stevenson, R.L.
Wells, H.G.
Reference
>
Cambridge History
>
Later National Literature, Part III
>
Patriotic Songs and Hymns
>
Over There
Maryland;
Songs Since the Civil War
Hymns
CONTENTS
·
VOLUME CONTENTS
·
INDEX OF ALL CHAPTERS
·
BIBLIOGRAPHIC RECORD
The Cambridge History of English and American Literature in 18 Volumes
(190721).
VOLUME XVIII. Later National Literature, Part III.
XXVI.
Patriotic Songs and Hymns
.
§ 7.
Over There
.
There is a temptation to generalize on the passing favourite song of the World War
Over There.
It does not contain great music or any kind of poetry. It meets only one of the requirements laid down for the fruitless competition of 1861; it is of the simplest form and most marked rhythm, the words easy to be retained by the popular memory, and the melody and harmony such as may be readily sung by ordinary voices. In this respect George M. Cohan met the situation as Root and Work and Gilmore did fifty years ago, and, like them, he wrote music of the day. It belongs to the same public that delights in O. Henry, Walt Mason, Irvin S. Cobb, and Wallace Irwin, all in the main sane, wholesome, obvious people. It comes from Broadway, which supplies the populace with much of their fun. On the other hand
The Star Spangled Banner
belonged to the public of Francis and Joseph Hopkinson and John Copley and Gilbert Stuart. The artistic work of that day was well-turned and graceful; poetry and music lent themselves to dashes of magniloquent heroism and tender sentiment. The courtly traditions of manly strength, feminine grace, the cheering influence of the social glass, and a traditionally aristocratic point of view, were all implicit in them. What John Howard Payness patron called the desolating effects of democracy he would say were registered in the loss of these echoed gentilities. The same loss is apparent in the course of American hymnology; but there is no reason for considering it more than a cheap and temporary price for benefits received and in store.
11
CONTENTS
·
VOLUME CONTENTS
·
INDEX OF ALL CHAPTERS
·
BIBLIOGRAPHIC RECORD
Maryland;
Songs Since the Civil War
Hymns
Click
here
to shop the
Bartleby Bookstore
.
Welcome
·
Press
·
Advertising
·
Linking
·
Terms of Use
· © 2008
Bartleby.com