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Reference
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Cambridge History
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The Victorian Age, Part One
>
Robert Browning and Elizabeth Barrett Browning
>
Casa Guidi Windows
Sonnets from the Portuguese
Aurora Leigh
CONTENTS
·
VOLUME CONTENTS
·
INDEX OF ALL CHAPTERS
·
BIBLIOGRAPHIC RECORD
The Cambridge History of English and American Literature in 18 Volumes
(190721).
Volume XIII. The Victorian Age, Part One.
III.
Robert Browning and Elizabeth Barrett Browning
.
§ 11.
Casa Guidi Windows
.
It was a time of revolution when the Brownings settled in Italy, and the ferment continued throughout the whole period of their married life.
Casa Guidi Windows
dealt with the earlier phases of the movement for liberation. In its later stages, the part taken in it by Napoleon III and the equivocal character of his motives and actions were matter of intense interest to them. Elizabeth Browning was his devoted defender; Browning was alternately critical and condemnatory. Even the annexation of Savoy and Nice only momentarily shook her faith in him. Browning summed up the situation by saying of Napoleons part in the Italian war that it was a great action but he has taken eighteen pence for it, which is a pity. They had agreed to write of Napoleon and publish jointly. Elizabeth Brownings labours resulted in
Poems before Congress;
on the annexation, Browning dropped the project and destroyed what he had written. But he came back to the subject, during that period when it delighted him most to explore the intricacies of ambiguous souls whose morality was pied and intellects casuistical; and he produced
Prince Hohenstiel-Schwangau.
65
Both
Casa Guidi Windows
and
Poems before Congress
illustrate the difficulty of lifting contemporary politics into poetry. Neither these nor the aftermath in her posthumous
Last Poems
(1862) have added to Elizabeth Brownings literary reputation.
66
CONTENTS
·
VOLUME CONTENTS
·
INDEX OF ALL CHAPTERS
·
BIBLIOGRAPHIC RECORD
Sonnets from the Portuguese
Aurora Leigh
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