Nonfiction > Henry Craik, ed. > English Prose > Vol. IV. Eighteenth Century
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Henry Craik, ed.  English Prose.  1916.
Vol. IV. Eighteenth Century
 
Beau Tibbs at Vauxhall
By Oliver Goldsmith (1730–1774)
 
From The Citizen of the World

THE PEOPLE of London are as fond of walking as our friends at Pekin of riding; one of the principal entertainments of the citizens here in summer is to repair about nightfall to a garden not far from town, where they walk about, shew their best clothes and best faces, and listen to a concert provided for the occasion.
  1
  I accepted an invitation a few evenings ago from my old friend, the man in black, to be one of a party that was to sup there; and at the appointed hour waited upon him at his lodgings. There I found the company assembled, and expecting my arrival. Our party consisted of my friend in superlative finery, his stockings rolled, a black velvet waistcoat, which was formerly new, and his grey wig combed down in imitation of hair; a pawnbroker’s widow, of whom by the bye my friend was a professed admirer, dressed out in green damask, with three gold rings on every finger; Mr. Tibbs the second-rate beau I have formerly described, together with his lady, in flimsy silk, dirty gauze instead of linen, and a hat as big as an umbrella.  2
  Our first difficulty was in settling how we should set out. Mrs. Tibbs had a natural aversion to the water, 1 and the widow, being a little in flesh, as warmly protested against walking; a coach was therefore agreed upon; which, being too small to carry five, Mr. Tibbs consented to sit in his wife’s lap.  3
  In this manner, therefore, we set forward, being entertained by the way with the bodings of Mr. Tibbs, who assured us he did not expect to see a single creature for the evening above the degree of a cheesemonger; that this was the last night of the gardens, and that consequently we should be pestered with the nobility and gentry from Thames Street and Crooked Lane; with several other prophetic ejaculations, probably inspired by the uneasiness of his situation.  4
  The illuminations began before we arrived, and I must confess, that upon entering the gardens I found every sense overpaid with more than expected pleasure: the lights everywhere glimmering through the scarcely-moving trees—the full-bodied concert bursting on the stillness of the night—the natural concert of the birds, in the more retired part of the grove vieing with that which was formed by art; the company gaily dressed, looking satisfaction, and the table spread with various delicacies, all conspired to fill my imagination with the visionary happiness of the Arabian lawgiver, and lifted me into an ecstasy of admiration. “Head of Confucius,” cried I to my friend, “this is fine! this unites rural beauty with courtly magnificence! If we except the virgins of immortality, that hang on every tree, and may be plucked at every desire, I do not see how this falls short of Mahomet’s Paradise!”—“As for virgins,” cries my friend, “it is true they are a fruit that do not much abound in our gardens here; but if ladies, as plenty as apples in autumn, and as complying as any Houri of them all, can content you, I fancy we have no need to go to heaven for Paradise.”  5
  I was going to second his remarks, when we were called to a consultation by Mr. Tibbs and the rest of the company, to know in what manner we were to lay out the evening to the greatest advantage. Mrs. Tibbs was for keeping the genteel walk of the garden, where, she observed, there was always the very best company; the widow, on the contrary, who came but once a season, was for securing a good standing-place to see the waterworks, 2 which she assured us would begin in less than an hour at the farthest; a dispute therefore began, and as it was managed between two of very opposite characters, it threatened to grow more bitter at every reply. Mrs. Tibbs wondered how people could pretend to know the polite world who had received all their rudiments of breeding behind a counter; to which the other replied, that though some people sat behind counters, yet they could sit at the head of their own tables too, and carve three good dishes of hot meat whenever they thought proper, which was more than some people could say for themselves, that hardly knew a rabbit and onions from a green goose and gooseberries.  6
  It is hard to say where this might have ended, had not the husband, who probably knew the impetuosity of his wife’s disposition, proposed to end the dispute by adjourning to a box, and try if there was anything to be had for supper that was supportable. To this we all consented: but here a new distress arose: Mr. and Mrs. Tibbs would sit in none but a genteel box—a box where they might see and be seen—one, as they expressed it, in the very focus of public view; but such a box was not easy to be obtained, for though we were perfectly convinced of our own gentility, and the gentility of our appearance, yet we found it a difficult matter to persuade the keepers of the boxes to be of our opinion; they chose to reserve genteel boxes for what they judged more genteel company.  7
  At last, however, we were fixed, though somewhat obscurely, and supplied with the usual entertainment of the place. The widow found the supper excellent, but Mrs. Tibbs thought everything detestable. “Come, come, my dear,” cries the husband, by way of consolation, “to be sure we can’t find such dressing here as we have at Lord Crump’s or Lady Crimp’s; but, for Vauxhall dressing, it is pretty good: it is not their victuals, indeed, I find fault with, but their wine; their wine,” cries he, drinking off a glass, “indeed is most abominable.”  8
  By this last contradiction, the widow was fairly conquered in point of politeness. She perceived now that she had no pretensions in the world to taste; her very senses were vulgar, since she had praised detestable custard, and smacked at wretched wine; she was therefore content to yield the victory, and for the rest of the night to listen and improve. It is true, she would now and then forget herself, and confess she was pleased, but they soon brought her back again to miserable refinement. She once praised the painting 3 of the box in which we were sitting, but was soon convinced that such paltry pieces ought rather to excite horror than satisfaction; she ventured again to commend one of the singers, but Mrs. Tibbs soon let her know, in the style of a connoisseur, that the singer in question had neither ear, voice, nor judgment.  9
  Mr. Tibbs, now, willing to prove that his wife’s pretensions to music were just, entreated her to favour the company with a song; but to this she gave a positive denial—“for you know very well, my dear,” says she, “that I am not in voice to-day, and when one’s voice is not equal to one’s judgment, what signifies singing? besides, as there is no accompaniment, it would be but spoiling music.” All these excuses, however, were over-ruled by the rest of the company, who, though one would think they already had music enough, joined in the entreaty. But particularly the widow, now willing to convince the company of her breeding, pressed so warmly, that she seemed determined to take no refusal. At last, then, the lady complied, and after humming for some minutes, began with such a voice, and such affectation, as I could perceive, gave but little satisfaction to any except her husband. He sat with rapture in his eye, and beat time with his hand on the table.  10
  You must observe, my friend, that it is the custom of this country, when a lady or gentleman happens to sing, for the company to sit as mute and motionless as statues. Every feature, every limb, must seem to correspond in fixed attention; and while the song continues, they are to remain in a state of universal petrifaction. In this mortifying situation we had continued for some time, listening to the song, and looking with tranquillity, when the master of the box came to inform us, that the waterworks were going to begin. At this information I could instantly perceive the widow bounce from her seat, but correcting herself, she sat down again, repressed by motives of good-breeding. Mrs. Tibbs, who had seen the waterworks a hundred times, resolving not to be interrupted, continued her song without any share of mercy, nor had the smallest pity on our impatience. The widow’s face, I own, gave me high entertainment; in it I could plainly read the struggle she felt between good-breeding and curiosity: she talked of the waterworks the whole evening before, and seemed to have come merely in order to see them; but then she could not bounce out in the very middle of a song, for that would be forfeiting all pretensions to high life, or high-lived company, ever after. Mrs. Tibbs therefore, kept on singing, and we continued to listen, till at last, when the song was just concluded, the waiter came to inform us that the waterworks were over!  11
  “The waterworks over!” cried the widow; “the waterworks over already! that’s impossible! they can’t be over so soon!”—“It is not my business,” replied the fellow, “to contradict your ladyship; I’ll run again and see.” He went, and soon returned with a confirmation of the dismal tidings. No ceremony could now bind my friend’s disappointed mistress; she testified her displeasure in the openest manner: in short, she now began to find fault in turn, and at last insisted upon going home, just at the time that Mr. and Mrs. Tibbs assured the company, that the polite hours were going to begin, and that the ladies would instantaneously be entertained with the horns.  12
 
Note 1. the water.  The approach to Vauxhall from the Middlesex side was by wherry. [back]
Note 2. the waterworks.  A “moving picture” with a cascade, that worked for a few minutes. [back]
Note 3. the painting.  The pictures in the supper-boxes were by Hogarth and Hayman. [back]
 
 
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