Nonfiction > Henry Craik, ed. > English Prose > Vol. III. Seventeenth Century
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Henry Craik, ed.  English Prose.  1916.
Vol. III. Seventeenth Century
 
The Garden of Moor Park in Hertfordshire
By Sir William Temple (1628–1699)
 
From Miscellanea

THE PERFECTEST figure of a garden I ever saw, either at home or abroad, was that of Moor Park, in Hertfordshire, when I knew it about thirty years ago. It was made by the Countess of Bedford, esteemed among the greatest wits of her time, and celebrated by Doctor Donne: and with very great care, excellent contrivance, and much cost; but greater sums may be thrown away without effect or honour, if there want sense in proportion to money, or if nature be not followed; which I take to be the great rule in this, and perhaps in everything else, as far as the conduct not only of our lives, but our governments. And whether the greatest of mortal men should attempt the forcing of nature may best be judged, by observing how seldom God Almighty does it Himself, by so few, true and undisputed miracles, as we see or hear of in the world. For my own part, I know not three wiser precepts for the conduct either of princes or private men, than—
                “Servare modum, finemque tueri,
Naturamque sequi.” 1
  1
  Because I take the garden I have named to have been in all kinds the most beautiful and perfect, at least in the figure and disposition, that I have ever seen, I will describe it for a model to those that meet with such a situation, and are above the regards of common expense. It lies on the side of a hill (upon which the house stands), but not very steep. The length of the house, where the best rooms and of most use or pleasure are, lies upon the breadth of the garden, the great parlour opens into the middle of a terras gravel-walk that lies even with it, and which may be, as I remember, about three hundred paces long, and broad in proportion; the border set with standard laurels, and at large distances, which have the beauty of orange-trees out of flower and fruit: from this walk are three descents by many stone steps, in the middle and at each end, into a very large parterre. This is divided into quarters by gravel walks, and adorned with two fountains and eight statues in the several quarters; at the end of the terras walk are two summer-houses, and the sides of the parterre are ranged with two large cloisters, open to the garden, upon arches of stone, and ending with two other summer-houses even with the cloisters, which are paved with stone, and designed for walks of shade, there being none other in the whole parterre. Over these two cloisters are two terrasses covered with lead, and fenced with balusters; and the passage into these airy walks is out of the two summer-houses, at the end of the first terras-walk. The cloister facing the south is covered with vines, and would have been proper for an orange-house, and the other for myrtles, or other more common greens; and had, I doubt not, been cast for that purpose, if this piece of gardening had been then in as much vogue as it is now.  2
  From the middle of the parterre is a descent by many steps flying on each side of a grotto that lies between them (covered with lead, and flat) into the lower garden, which is all fruit-trees ranged about the several quarters of a wilderness which is very shady; the walks here are all green, the grotto embellished with figures of shell rock-work, fountains and water-works. If the hill had not ended with the lower garden, and the wall were not bounded by a common way that goes through the park, they might have added a third quarter of all greens; but this want is supplied by a garden on the other side the house, which is all of that sort, very wild, shady, and adorned with rough rock-work and fountains.  3
  This was Moor Park, when I was acquainted with it, and the sweetest place, I think, that I have seen in my life, either before or since, at home or abroad; what it is now, I can give little account, having passed through several hands that have made great changes in gardens as well as houses; but the remembrance of what it was is too pleasant ever to forget, and therefore I do not believe to have mistaken the figure of it, which may serve for a pattern to the best gardens of our manner, and that are most proper for our country and climate.  4
 
Note 1. Servare modum, finemque tueri, etc.  To preserve due measure, and keep in view the end, and follow nature. [back]
 
 
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