Nonfiction > Henry Craik, ed. > English Prose > Vol. V. Nineteenth Century
  PREVIOUSNEXT  
CONTENTS · BOOK CONTENTS · BIBLIOGRAPHIC RECORD
Henry Craik, ed.  English Prose.  1916.
Vol. V. Nineteenth Century
 
Unreal Words
By John Henry Newman (1801–1890)
 
From Sermons

OF course it is very common in all matters, not only in religion, to speak in an unreal way; viz., when we speak on a subject with which our minds are not familiar. If you were to hear a person who knew nothing about military matters, giving directions how soldiers on service should conduct themselves, or how their food and lodging, or their marching, was to be duly arranged, you would be sure that his mistakes would be such as to excite the ridicule and contempt of men experienced in warfare. If a foreigner were to come to one of our cities, and without hesitation offer plans for the supply of our markets, or the management of our police, it is so certain that he would expose himself, that the very attempt would argue a great want of good sense and modesty. We should feel that he did not understand us, and that when he spoke about us, he would be using words without meaning. If a dim-sighted man were to attempt to decide questions of proportion and colour, or a man without ear to judge of musical compositions, we should feel that he spoke on and from general principles, on fancy, or by deduction and argument, not from a real apprehension of the matters which he discussed. His remarks would be theoretical and unreal.
  1
  Another still more common form of the same fault, and yet without any definite pretence or effort, is the mode in which people speak of the shortness and vanity of life, the certainty of death, and the joys of heaven. They have commonplaces in their mouths, which they bring forth upon occasions for the good of others, or to console them, or as a proper and becoming mark of attention towards them. Thus they speak to clergymen in a professedly serious way, making remarks true and sound, and in themselves deep, yet unmeaning in their mouths; or they give advice to children or young men; or perhaps in low spirits or sickness they are led to speak in a religious strain as if it was spontaneous. Or when they fall into sin, they speak of man being frail, of the deceitfulness of the human heart, of God’s mercy, and so on;—all these great words, heaven, hell, judgment, mercy, repentance, works, the world that now is, the world to come, being little more than “lifeless sounds, whether of pipe or harp,” in their mouths and ears, as the “very lovely song of one that hath a pleasant voice and can play well on an instrument,”—as the proprieties of conversation, or the civilities of good breeding.  2
 
 
CONTENTS · BOOK CONTENTS · BIBLIOGRAPHIC RECORD
  PREVIOUSNEXT  
 
Loading
Click here to shop the Bartleby Bookstore.

Shakespeare · Bible · Strunk · Anatomy · Nonfiction · Quotations · Reference · Fiction · Poetry
© 1993–2014 Bartleby.com · [Top 150] · Subjects · Titles · Authors