Nonfiction > Henry Craik, ed. > English Prose > Vol. V. Nineteenth Century
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Henry Craik, ed.  English Prose.  1916.
Vol. V. Nineteenth Century
 
Leigh Hunt’s Dungeon
By Leigh Hunt (1784–1859)
 
From Autobiography

THE DOCTOR then proposed that I should be removed into the prison infirmary; and this proposal was granted. Infirmary had, I confess, an awkward sound, even to my ears. I fancied a room shared with other sick persons, not the best fitted for companions; but the good-natured doctor (his name was Dixon) undeceived me. The infirmary was divided into four wards, with as many small rooms attached to them. The two upper wards were occupied, but the two on the floor had never been used: and one of these, not very providently (for I had not yet learned to think of money) I turned into a noble room. I papered the walls with a trellis of roses; I had the ceiling coloured with clouds and sky; the barred windows I screened with Venetian blinds; and when my bookcases were set up with their busts, and flowers and a pianoforte made their appearance, perhaps there was not a handsomer room on that side the water. I took a pleasure, when a stranger knocked at the door, to see him come in and stare about him. The surprise on issuing from the Borough, and passing through the avenues of a gaol, was dramatic. Charles Lamb declared there was no other such room, except in a fairy tale.
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  But I possessed another surprise; which was a garden. There was a little yard outside the room, railed off from another belonging to the neighbouring ward. This yard I shut in with green palings, adorned it with a trellis, bordered it with a thick bed of earth from a nursery, and even contrived to have a grass-plot. The earth I filled with flowers and young trees. There was an apple-tree, from which we managed to get a pudding the second year. As to my flowers, they were allowed to be perfect. Thomas Moore, who came to see me with Lord Byron, told me he had seen no such heart’s-ease. I bought the Parnaso Italiano while in prison, and used often to think of a passage in it, while looking at this miniature piece of horticulture:—

                            Mio picciol orto,
A me sei vigna, e campo, e selva, e prato.—BALDI.
  
                    My little garden,
To me thou’rt vineyard, field, and meadow, and wood.
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  Here I wrote and read in fine weather, sometimes under an awning. In autumn, my trellises were hung with scarlet-runners, which added to the flowery investment. I used to shut my eyes in my arm-chair, and affect to think myself hundreds of miles off.  3
  But my triumph was in issuing forth of a morning. A wicket out of the garden led into the large one belonging to the prison. The latter was only for vegetables; but it contained a cherry tree, which I saw twice in blossom. I parcelled out the ground in my imagination into favourite districts. I made a point of dressing myself as if for a long walk; and then, putting on my gloves, and taking my book under my arm, stepped forth, requesting my wife not to wait dinner if I was too late. My eldest little boy, to whom Lamb addressed some charming verses on the occasion, was my constant companion, and we used to play all sorts of juvenile games together. It was, probably, in dreaming of one of these games (but the words had a more touching effect on my ear) that he exclaimed one night in his sleep, “No; I’m not lost; I’m found.” Neither he nor I were very strong at that time; but I have lived to see him a man of eight and forty; and wherever he is found, a generous hand and a great understanding will be found together.  4
 
 
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