Verse > Alexander Pope > Complete Poetical Works
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Alexander Pope (1688–1744).  Complete Poetical Works.  1903.
 
Translations from Ovid
Sappho to Phaon
 
        
From the Fifteenth of Ovid’s Epistles
  
  Written, according to Pope, in 1707. First published in Tonson’s Ovid, 1712.

SAY, lovely Youth, that dost my heart command,
Can Phaon’s eyes forget his Sappho’s hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,        5
The lute neglected and the lyric Muse;
Love taught my tears in sadder notes to flow,
And tuned my heart to elegies of woe.
I burn, I burn, as when thro’ ripen’d corn
By driving winds the spreading flames are borne!        10
Phaon to Ætna’s scorching fields retires,
While I consume with more than Ætna’s fires!
No more my soul a charm in music finds;
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please;        15
Love enters there, and I ’m my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of my guilty love;
All other loves are lost in only thine,
O youth, ungrateful to a flame like mine!        20
Whom would not all those blooming charms surprise,
Those heav’nly looks, and dear deluding eyes?
The harp and bow would you like Phœbus bear,
A brighter Phœbus Phaon might appear;
Would you with ivy wreathe your flowing hair,        25
Not Bacchus’ self with Phaon could compare:
Yet Phœbus lov’d, and Bacchus felt the flame,
One Daphne warm’d, and one the Cretan dame;
Nymphs that in verse no more could rival me,
Than ev’n those Gods, contend in charms with thee.        30
The Muses teach me all their softest lays,
And the wide world resounds with Sappho’s praise.
Tho’ Great Alcæus more sublimely sings,
And strikes with bolder rage the sounding strings,
No less renown attends the moving lyre,        35
Which Venus tunes, and all her loves inspire;
To me what Nature has in charms denied,
Is well by Wit’s more lasting flames supplied.
Tho’ short my stature, yet my name extends
To Heav’n itself, and earth’s remotest ends.        40
Brown as I am, an Ethiopian dame
Inspired young Perseus with a gen’rous flame;
Turtles and doves of diff’rent hues unite,
And glossy jet is pair’d with shining white.
If to no charms thou wilt thy heart resign,        45
But such as merit, such as equal thine,
By none, alas! by none thou canst employ,
Phaon alone by Phaon must be lov’d!
Yet once thy Sappho could thy cares employ,
Once in her arms you centred all your joy:        50
No time the dear remembrance can remove,
For oh! how vast a memory has Love!
My music, then, you could for ever hear,
And all my words were music to your ear.
You stopp’d with kisses my enchanting tongue,        55
And found my kisses sweeter than my song.
In all I pleas’d, but most in what was best;
And the last joy was dearer than the rest.
Then with each word, each glance, each motion fired,
You still enjoy’d, and yet you still desired,        60
Till, all dissolving, in the trance we lay,
And in tumultuous raptures died away.
The fair Sicilians now thy soul inflame;
Why was I born, ye Gods, a Lesbian dame?
But ah, beware, Sicilian nymphs! nor boast        65
That wand’ring heart which I so lately lost;
Nor be with all those tempting words abused,
Those tempting words were all to Sappho used.
And you that rule Sicilia’s happy plains,
Have pity, Venus, on your poet’s pains!        70
Shall fortune still in one sad tenor run,
And still increase the woes so soon begun?
Inured to sorrow from my tender years,
My parents’ ashes drank my early tears:
My brother next, neglecting wealth and fame,        75
Ignobly burn’d in a destructive flame:
An infant daughter late my griefs increas’d,
And all a mother’s cares distract my breast.
Alas! what more could Fate itself impose,
But thee, the last, and greatest of my woes?        80
No more my robes in waving purple flow,
Nor on my hand the sparkling diamonds glow;
No more my locks in ringlets curl’d diffuse
The costly sweetness of Arabian dews,
Nor braids of gold the varied tresses bind,        85
That fly disorder’d with the wanton wind:
For whom should Sappho use such arts as these?
He’s gone, whom only she desired to please!
Cupid’s light darts my tender bosom move;
Still is there cause for Sappho still to love:        90
So from my birth the sisters fix’d my doom,
And gave to Venus all my life to come;
Or, while my Muse in melting notes complains,
My yielding heart keeps measure to my strains.
By charms like thine which all my soul have won,        95
Who might not—ah! who would not be undone?
For those Aurora Cephalus might scorn,
And with fresh blushes paint the conscious morn.
For those might Cynthia lengthen Phaon’s sleep,
And bid Endymion nightly tend his sheep.        100
Venus for those had rapt thee to the skies;
But Mars on thee might look with Venus’ eyes.
O scarce a youth, yet scarce a tender boy!
O useful time for lovers to employ!
Pride of thy age, and glory of thy race,        105
Come to these arms, and melt in this embrace!
The vows you never will return, receive;
And take, at least, the love you will not give.
See, while I write, my words are lost in tears!
The less my sense, the more my love appears.        110
Sure ’t was not much to bid one kind adieu
(At least to feign was never hard to you):
‘Farewell, my Lesbian love,’ you might have said;
Or coldly thus, ‘Farewell, O Lesbian maid!’
No tear did you, no parting kiss receive,        115
Nor knew I then how much I was to grieve.
No lover’s gift your Sappho could confer,
And wrongs and woes were all you left with her.
No charge I gave you, and no charge could give,
But this, ‘Be mindful of our loves, and live.’        120
Now by the Nine, those powers ador’d by me,
And Love, the God that ever waits on thee,
When first I heard (from whom I hardly knew)
That you were fled, and all my joys with you,
Like some sad statue, speechless, pale, I stood,        125
Grief chill’d my breast, and stopt my freezing blood;
No sigh to rise, no tear had power to flow,
Fix’d in a stupid lethargy of woe:
But when its way th’ impetuous passion found,
I rend my tresses, and my breast I wound;        130
I rave, then weep; I curse, and then complain;
Now swell to rage, now melt in tears again.
Not fiercer pangs distract the mournful dame,
Whose first-born infant feeds the funeral flame.
My scornful brother with a smile appears,        135
Insults my woes, and triumphs in my tears;
His hated image ever haunts my eyes;
‘And why this grief? thy daughter lives,’ he cries,
Stung with my love, and furious with despair,
All torn my garments, and my bosom bare,        140
My woes, thy crimes, I to the world proclaim,
Such inconsistent things are Love and Shame!
’T is thou art all my care and my delight,
My daily longing, and my dream by night:
O night more pleasing than the brightest day,        145
When fancy gives what absence takes away,
And, dress’d in all its visionary charms,
Restores my fair deserter to my arms!
Then round your neck in wanton wreaths I twine;
Then you, methinks, as fondly circle mine:        150
A thousand tender words I hear and speak;
A thousand melting kisses give and take:
Then fiercer joys—I blush to mention these,
Yet, while I blush, confess how much they please.
But when, with day, the sweet delusions fly,        155
And all things wake to life and joy but I,
As if once more forsaken, I complain,
And close my eyes to dream of you again:
Then frantic rise, and like some fury rove
Thro’ lonely plains, and thro’ the silent grove;        160
As if the silent grove, and lonely plains,
That knew my pleasures, could relieve my pains.
I view the grotto, once the scene of love,
The rocks around, the hanging roofs above,
That charm’d me more, with native moss o’ergrown,        165
Than Phrygian marble, or the Parian stone:
I find the shades that veil’d our joys before;
But, Phaon gone, those shades delight no more.
Here the press’d herbs with bending tops betray
Where oft entwin’d in am’rous folds we lay;        170
I kiss that earth which once was press’d by you,
And all with tears the with’ring herbs bedew.
For thee the fading trees appear to mourn,
And birds defer their songs till thy return:
Night shades the groves, and all in silence lie,        175
All but the mournful Philomel and I:
With mournful Philomel I join my strain,
Of Tereus she, of Phaon I complain.
  A spring there is, whose silver waters show,
Clear as a glass, the shining sands below:        180
A flowery lotos spreads its arms above,
Shades all the banks, and seems itself a grove;
Eternal greens the mossy margin grace,
Watch’d by the sylvan genius of the place.
Here as I lay, and swell’d with tears the flood,        185
Before my sight a wat’ry virgin stood:
She stood and cried, ‘O you that love in vain!
Fly hence, and seek the fair Leucadian main.
There stands a rock, from whose impending steep
Apollo’s fane surveys the rolling deep;        190
There injur’d lovers, leaping from above,
Their flames extinguish, and forget to love.
Deucalion once with hopeless fury burn’d;
In vain he lov’d, relentless Pyrrha scorn’d;
But when from hence he plunged into the main,        195
Deucalion scorn’d, and Pyrrha lov’d in vain.
Haste, Sappho, haste, from high Leucadia throw
Thy wretched weight, nor dread the deeps below!’
She spoke, and vanish’d with the voice—I rise,
And silent tears fall trickling from my eyes.        200
I go, ye Nymphs! those rocks and seas to prove;
How much I fear, but ah, how much I love!
I go, ye Nymphs! where furious love inspires,
Let female fears submit to female fires.
To rocks and seas I fly from Phaon’s hate,        205
And hope from seas and rocks a milder fate.
Ye gentle gales, beneath my body blow,
And softly lay me on the waves below!
And thou, kind Love, my sinking limbs sustain,
Spread thy soft wings, and waft me o’er the main,        210
Nor let a lover’s death the guiltless flood profane;
On Phœbus’ shrine my harp I ’ll then bestow,
And this inscription shall be placed below:
‘Here she who sung, to him that did inspire,
Sappho to Phœbus consecrates her lyre:        215
What suits with Sappho, Phœbus, suits with thee;
The Gift, the Giver, and the God agree.’
  But why, alas! relentless youth, ah why
To distant seas must tender Sappho fly?
Thy charms than those may far more powerful be,        220
And Phœbus’ self is less a God to me.
Ah! canst thou doom me to the rocks and sea,
Oh! far more faithless and more hard than they?
Ah! canst thou rather see this tender breast
Dash’d on these rocks than to thy bosom press’d?        225
This breast which once, in vain! you liked so well
Where the Loves play’d, and where the Muses dwell.
Alas! the Muses now no more inspire;
Untuned my lute, and silent is my lyre.
My languid numbers have forgot to flow,        230
And fancy sinks beneath a weight of woe.
Ye Lesbian virgins, and ye Lesbian dames,
Themes of my verse, and objects of my flames,
No more your groves with my glad songs shall ring,
No more these hands shall touch the trembling string:        235
My Phaon’s fled, and I those arts resign;
(Wretch that I am, to call that Phaon mine!)
Return, fair youth, return, and bring along
Joy to my soul, and vigour to my song:
Absent from thee, the poet’s flame expires;        240
But ah! how fiercely burn the lover’s fires!
Gods! can no prayers, no sighs, no numbers move
One savage heart, or teach it how to love?
The winds my prayers, my sighs, my numbers bear,
The flying winds have lost them all in air!        245
Oh when, alas! shall more auspicious gales
To these fond eyes restore thy welcome sails!
If you return—ah, why these long delays?
Poor Sappho dies while careless Phaon stays.
O launch thy bark, nor fear the wat’ry plain;        250
Venus for thee shall smooth her native main.
O launch thy bark, secure of prosp’rous gales;
Cupid for thee shall spread the swelling sails.
If you will fly—(yet ah! what cause can be,
Too cruel youth, that you should fly from me?)        255
If not from Phaon I must hope for ease,
Ah let me seek it from the raging seas:
To raging seas unpitied I ’ll remove,
And either cease to live or cease to love!
 
 
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